The problem is when I merge the clips in the synced only sequence, then I drag them to a bin, then drag them back to the sequence, I now have twice as many audio tracks. I would go back to, but the problem is that all the projects I’ve started or re-saved in won’t open in, and I don’t exactly want to have to re-do everything. Is it right in front of me and I’m missing it? Editors can now launch PluralEyes from within Premiere - which allows it to pop up already populated with the correct information without any need to enter it manually. Yes, I had the same problem, this worked: I’m not even sure where this audio came from, it’s not on the original files. Make sure your camera mic is enabled and within proximity to the subject. They were all being recorded separately to different devices. PluralEyes dramatically accelerates the workflow for multi-camera, multi-take and dual-system audio productions. The hardest decision will be deciding which new feature is your favorite. PluralEyes 4 Hands-on Experience: This is my life, I edit and edit and edit and edit Check in next week. Through the NLE extension, PluralEyes opens independently in its own window to analyze the clips from the Premiere timeline you assembled. But having all that functionality now available within Premiere has made a fast and enjoyable process even more so. I think it might have something to do with the sequence audio settings, still working on it.
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